Tag Archives: David Frawley

vedic literature of ancient india

Secrets of ancient humanity and lost civilizations can be found all over the world. Yet they are perhaps most common in India, which even today the spiritual practices of the ancient world continue and its characteristic regard for the sacred. The same type of temples with similar forms of ritual worship that were known in ancient Egypt, Babylonia, or Greece thousand of years ago still occur throughout India today from Badrinath in the Himalayas to the north to Kanyakumari in the south. Indeed it seems that the ancient world never ended in India but has continually maintained and, at times, reinvented itself.

Spiritual and occult arts such as abounded in the ancient world – including Yoga, Vedic astrology, Ayurvedic medicine and the use of rituals (Yajnas) to improve all aspects of our lives – remain commonly used and are honored by the culture of India as a whole. Indeed we could say that India is a living museum of the ancient world and its lost civilizations. To understand the ancient world, it may be better to visit the holy places of India where the ancient traditions are still unbroken, rather than try to interpret ancient ruins through bricks and pottery shards, which scholars today usually do so according to their own modern mindsets, not recognizing the all-pervasive regard for the sacred that was the basis of ancient life and culture.

Most notably, ancient India presents us with by far the largest literature that has survived from the ancient world. The Vedic literature of India, by all accounts dating from well before the time of the Buddha (500 BCE) and by traditional accounts extending back well over five thousand years (3100 BCE), covers several thousand pages. This is with the four Vedas (RigYajur,Sama and Atharva), their various BrahmanasAranyakas andUpanishads.

The Vedas contain many ancient poems, commentaries, dialogues and teachings, of which the famous Upanishads and Bhagavad Gita – the bedrock of Indian philosophy and Yoga – represent only the last layer or a late summation. There is no comparable ancient literature remaining from any other country, much less an on-going tradition of its interpretation and application according to both ritual and meditation.

The Vedas are not directly concerned with history or with the mundane aspects of culture. Yet a mentioning of these does occur in a peripheral way in the texts. In the Vedas, we can find references to the names of peoples, places and to certain events. Beside the deep spiritual knowledge, there are indications of astronomical, mathematical and medical knowledge of a profound order. There are also indications of natural disasters like floods, earth quakes, the melting of glaciers and the shifting of rivers, with a cataclysmic sense of life based upon a long experience of Nature’s changes.

Yet, even by way of understanding their spiritual side, it requires a deeper vision to appreciate the Vedas. The Vedas are composed in a cryptic ‘mantric code’ that cannot be understood without the proper orientation and right keys. Vedic mantras were said to have been cognized by great yogis and seers from the cosmic mind. They reflect a different type of language in which the higher truth is deliberately hidden in a veil of symbols, sacred sounds and correspondences. What may appear outwardly as a seeking cows and horses, for example, can inwardly refer to a development of higher powers of the senses (cows) and pranas or vital energies (horses). In fact, Vedic words have many layers of meaning, of which the surface appearance can be misleading, particularly to the modern mind not used to such a multidimensional language. This is also a phenomenon that we find throughout the ancient world. The Egyptian Book of the Dead, for example, abounds in similar symbols that unless we can grasp the spiritual meaning, which few may be willing to look for, can appear quite superstitious.

The Vedas say, “The Gods prefer the cryptic and dislike the obvious.” The higher powers speak in symbols, riddles, paradoxes or conundrums. The Vedas speak of four levels of speech, of which ordinary human beings only know and speak with one (Rig Veda I. 164.45). They refer to a Divine Word or imperishable syllable on which they are based (Rig Veda I. 164.39). They reflect a pattern of cosmic sound that underlies all the laws of the universe and has its counterparts on all levels of both individual and cosmic manifestation. For this reason, the Veda was called the Shruti, or ‘revelation’ behind the Hindu tradition.

The Vedas speak of secret meanings to their mantras that were veiled to protect the teaching from its application by the spiritually immature. To receive the key to the Vedic mantras required years of work of ascetic practices, mantras, yoga, meditation, special initiations and the special favor of a teacher who knows the tradition and has realized the teaching in his own deeper consciousness. We cannot expect such cryptic mantras to unlock their secrets to a casual reading, particularly done in limited or bad translations in a language and mindset quite alien to the Vedic or ancient world view.

Modern scholars, particularly from the West, have not been able decipher this Vedic code. Most have not even recognized that it exists. This is not surprising because scholars have largely failed to understand the deeper meaning of the symbols of ancient Egypt, Sumeria, Mexico and other ancient cultures. Ancient cultures like India and Egypt were carrying on great traditions of spiritual and occult knowledge, not just the rudiments of technology, trade or empire building. Since modern scholars have little background in that spiritual knowledge, with its recognition of higher states of consciousness extending into the Infinite and Eternal, naturally they cannot find it in symbols in which it is specially encrypted.

Scholars look upon the Vedas, just like the Egyptian religion, as little more than primitive nature worship, though the nature symbols like Fire in the Vedas have a vast cosmic symbolism and connect to the fire of the breath, the fire of the mind, the fire of consciousness and the Cosmic Fire through which the entire universe exists.

Introduction to Article The Vedic Literature of Ancient India and Its Many Secrets By David Frawley


hiranyagarbha – the gold embryo


SUN 268 by Roland van der Vogel

Many people today look to Patanjali, the compiler of the Yoga Sutras, as the father or founder of the greater system of Yoga. While Patanjali’s work is very important and worthy of profound examination, a study of the ancient literature on Yoga reveals that the Yoga tradition is much older. This earlier Yoga literature before Patanjali can be better called the Hiranyagarbha Yoga Darshana as it is said to begin with Hiranyagarbha. In fact, most of the Yoga taught in Vedas, Upanishads, Gita, Mahabharata and Puranas – which is the main ancient literature of Yoga – derives from it. Such ancient Pre-Patanjali texts speak of a Yoga Shastra or the ‘authoritative teachings on Yoga’ and of a Yoga Darshana or ‘Yoga philosophy’, but by that they mean the older tradition traced to Hiranyagarbha.

While no single simple Hiranyagarbha Yoga Sutras text has survived, quite a few of its teachings have remained. In fact, the literature on the Hiranyagarbha Yoga tradition is much larger than that on Patanjali Yoga tradition, which itself represents a branch of it. We cannot speak of a Patanjali Yoga tradition or of a Patanjali Yoga literature apart from this older set of Yoga teachings rooted in the Hiranyagarbha tradition. The Patanjali Yoga teaching occurs in the context of a broader Yoga Darshana that includes other streams. There is only one Yoga Darshana that existed long before Patanjali and was taught in many ways. It is the Yoga Darshana attributed to Hiranyagarbha and related Vedic teachers.

Who then was Hiranyagarbha, a human figure or a deity? The name Hiranyagarbha, which means “the gold embryo”, first occurs prominently as a Vedic deity, generally a form of the Sun God. There is a special Sukta or hymn to Hiranyagarbha in the Rig VedaX.121, which is commonly chanted by Hindus today. The Mahabharata speaks of Hiranyagarbha as he who is lauded in the Vedic verses and taught in the Yoga Shastra (Shanti Parva 339.69). As a form of the Sun God, Hiranyagarbha can be related to other such Sun Gods like Savitri, to whom the famous Gayatri mantra is addressed. Therefore, the Hiranyagabha Yoga tradition is a strongly Vedic tradition. We can call it the Hiranyagarbha Vedic Yoga tradition.

It teachings are found not only in the Yoga Sutras but in the Mahabharata, including the Bhagavad Gita, Moksha Dharma Parva and Anu Gita, which each contain extensive teachings on Yoga from many sides. The Hiranyagarbha Yoga tradition is the main Vedic Yoga tradition. The Patanjali Yoga tradition is an offshoot of it or a later expression of it. Besides looking at Patanjali in a new light, we should work to restore the teachings of the Hiranyagarbha Yoga Darshana. Many of these can easily be compiled from the Mahabharata, Upanishads, and other ancient Vedic teachings. Through it we can gradually reclaim the older Vedic Yoga it was based upon. In this way, we can restore the spiritual heritage of the Himalayan rishis. This is an important task for the next generation of Yoga aspirants, if they want to really reclaim the origin and depths of the teaching.

Excerpt from American Institute of Vedic Studies Article The Original Teachings of Yoga: From Patanjali Back to Hiranyagarbha by David Frawley