aka Supta Kūrmāsana (Sleeping Tortoise Pose)
Monthly Archives: November 2014
This is a fun trick to learn how to shift more weight forward over the solid foundation of your arms and lift up into full handstand from Tittibhasana.
First, let’s acknowledge that different students may benefit from slightly different actions in any given posture. So, the most accurate way to answer this question is to suggest most students will benefit from engaging their glutes in most backbends. Here’s why:
The gluteal family is composed of the gluteus maximus, gluteus medius, and gluteus minimus. When the glutes and hamstrings engage—particularly the lower fibers of the gluteal msucles near the hamstring insertion—they extend the hip-joint. This motion initiates all backbends and helps keep the pelvis and spine congruous. Gluteal engagement also helps fire the paraspinal muscles and stabilizes the sacro-illiac joint—both of which facilitate pelvic and spinal balance in backbends.
But, let’s answer the question with a little more nuance since some backbends are enhanced by gluteal engagement and others are not. Prone backbends like Locust Pose and Cobra Pose probably don’t benefit as much from gluteal contraction because the weight of the pelvis rests on the floor during these postures. This means that you don’t need gluteal strength to lift the pelvis because it’s not moving in the posture; you also don’t need the stabilization that the glutes provide because the pelvis is supported by the floor.
In kneeling backbends like Camel Pose and supine backbends like Bridge Pose and Upward Bow Pose, gluteal engagement is more helpful. These postures produce a greater degree of spinal extension so it’s even more important that the pelvis and spine move cohesively. Engaging the glutes, particularly the lower fibers of the gluteus maximus near the hamstring insertion, will help maintain this balance rotating the pelvis slightly back over the top of the legs. This will help reduce lumbar compression—the feeling of your lower-back “crunching.” Even more, the glutes help lift the weight of the pelvis in supine backbends. If you don’t use the glutes in these postures, it’s more likely that you will unnecessarily burden less efficient muscle groups.
Some teachers and students are concerned that using the glutes will make the knees splay too far apart. This is a legitimate concern, but it’s easily managed. All you have to do in this situation is co-contract the muscles that line the inside of your thighs, the adductors. Firing the adductors while you engage the glutes will keep your thighs nice and neutral.
Excerpt from YogaGlo Article Backbends: Why and When to Squeeze Your Glutes by Jason Crandell
In yoga, we have a love affair with internally rotating the legs. Down dog: turn the legs in. Standing forward fold (uttanasana): turn the legs in. The list goes on. It goes to the point of where internal rotation of the legs is seen as a panacea–a cure-all for aches, pains, misalignments and imbalances– and external rotation of the legs, as a consequence, is seen at best as mostly undesirable.
The reality, as always, is quite more nuanced than that. Simply mechanically turning the legs in, which in my opinion has little to do with the muscles of your inner thighs (also known as the adductors), produces a bunch of unintended consequences.
Further, simply turning the legs in like that, from the outside if you will, strains and compresses the femoral triangle–home of the femoral nerve, femoral artery, femoral vein, femoral ring/canal (lymph nodes, drainage). The femoral triangle is basically the armpit of the thigh. Its boundaries are: the inguinal ligament (your hip crease from hip point to pubic bone), adductor longus (one of inner thigh muscles), and the upper portion of the sartorius (from the hip point to where it meets the adductor longus on its way down and in to the inner knee).
Some of you will say that it’s not about turning the legs in (and it definitely isn’t), but about taking the inner thighs back. I don’t disagree. But I would venture to say that when most people hear the instruction to take the inner thighs back, they will turn their legs in from the outside like I described above. In other words, they will simply internally rotate their legs.
It’s quite a bit more subtle than that. The inner thighs activate from the ground up, more specifically from the lift of the inner arches of the feet via the tibialis posterior muscle.
So, for example in down dog or uttanasana, with the feet on straight and about hip width apart, draw from the balls of the feet back towards the high point of the arch right in front of the heel and lift that energy up into the inner thighs and the core of the pelvis. Then, ground down through the outer heels without losing the lift of the arches and resist the inner thighs away from each other without changing the position of your feet/heels. The pit of your belly will probably hollow out and lift by itself, your low back will feel broad and supported, and your hips won’t grip.
Excerpts from Why Internal Rotation of the Legs is Misunderstood by Anna Karkovska McGlew
The Peace Within
You imagine a spinning top. Stillness is like a perfectly centered top, spinning so fast it appears motionless. It appears this way not because it isn’t moving, but because it’s spinning at full speed. Stillness is not the absence or negation of energy, life, or movement. Stillness is dynamic. It is unconflicted movement, life in harmony with itself, skill in action. It can be experienced whenever there is total, uninhibited, unconflicted participation in the moment you are in – when you are wholeheartedly present with whatever you are doing.
From “Stillness”, the first chapter of Yoga: The Spirit and Practice of Moving Into Stillness by Erich Schiffmann
When renowned Ashtanga practitioner/instructor, David Swenson was in Seoul for an Ashtanga workshop, he said something like this:
“The hardest part of yoga is to just show up. Once you are there, the rest happens.”
He went on to say that if you just get up, put on your yoga clothes and stand on the mat, you’ve accomplished something. What naturally tends to happen is that once on that mat, you figure you may as well do the sun salutations which lead to the standing series and then a few sitting poses—and it just keeps going. Sharing this piece of advice through his gentle, humble and kind demeanor, David’s message stuck for me.
Yeah, there are days when I feel heavy or lethargic or just “don’t wanna.” By just showing up, I find that I move beyond my projections and end up feeling great after the practice. Guess that’s what Swenson meant when he said, “I’ve never regretted practicing.”
Just show up. Seems simple. In what other areas of life can this be applied?
- Communication with your spouse is currently challenging. Just show up; keep trying to find ways to understand one another.
- You’ve just finished eating a donut at a meeting while you’ve pledged to a new diet. Just show up; from this moment on become more mindful of your snack choices.
- That project, book or blog post didn’t get the feedback you anticipated. Just show up; keep working at it. If there’s passion behind what you do, it will get noticed.
I don’t expect those days when I just “don’t wanna” will vanish. It’s very human to have lapses in motivation. But having the intention of moving forward—of rolling out the yoga mat, so to speak—is the first step that may lead to more.
Excerpt from Elephant Journal Article My First Yoga Lesson: Just Show Up by Christine Martin
“Just like yoga, music has the ability to support, change, and balance out emotions,” says the Hollywood hip-hop producer-turned-mixmaster, who began deejaying at yoga festivals after getting his teaching certification at Santa Monica Yoga in 2009.
According to Drez, there’s an art to compiling the perfect yoga soundtrack. “The secret ingredient is music that calms without making one sleepy, drives without overdoing, and is emotional without being specific to a particular theme,” he explains.
Drez’s 5 Rules for Creating the Perfect Practice Playlist
1) Instrumental tunes are always a great option.
There are no words that trigger wanted or unwanted thoughts. Even if there is a popular song that you’d like to use, you can most likely find the instrumental version as an alternative.
2) Use music that complements the sequencing.
I have been in classes where the flow of the asana does not match the music being played. Thumping beats don’t make much sense in Dandasana (Staff Pose), for example. When using music, one should always consider why they want to use it. Make sure that what is selected will enhance the practice, not take away from it.
3) Avoid songs that people are listening to in the car.
People have many experiences throughout the day, and the music they play in the car becomes the soundtrack to those experiences. When you come to yoga, it’s an opportunity for a fresh start, a discovery, an opportunity to awaken to the present. Hearing the soundtrack to outside experiences can disrupt those opportunities.
4) Know when a song isn’t working and how to fade it with grace.
Just because it is the next song on your playlist doesn’t mean it has to play if it’s not working. Sometimes fading to silence or fading and skipping the song while continuing the practice is more appropriate and less disruptive.
5) Sometimes, choose silence.
Don’t use music as a crutch. That goes for both teachers and students. Music is a magical and beautiful tool, but practicing in silence is often what people need.
Excerpt from Yoga Journal Article DJ Drez’s 5 Rules for Creating the Perfect Practice Playlist by Dana Meltzer Zepeda